Geek Girl Event: Sugar Gamers and URChicago’s “Awesome Black Mask Party”

By Kate Kotler

The foxy ladies of Sugar Gamers and our pals at URChicago are once again gearing up to bring Chicago geeks a fantabulous free party: The Awesome Black Mask Party!

This event is the “official end of Tech Week,” and will feature a special performance by rapper, Nikki Lynette. Video Game TV will be live streaming the event (and, I hear on the rumor mill that some geeky-girl editor of a geeky-girl website might be interviewed live on VGTV on Thursday evening…) Plus, there will be a host of prizes being given away, donated by Warner Brothers and Steel Series

Make sure to RSVP and arrive early, as this will be the hottest party in Chicago this Thursday! Deets below:

THE AWESOME BLACK MASK PARTY
Hosted by Sugar Gamers and URChicago
Thursday, 7/28 from 8:00-11:00pm
LURE Izakaya Pub
2017 S Wells, Chicago 60616
Chicago, IL
RSVP to info@sugargamers.com

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Geek of the Week: Eisner award winning cartoonist, Shannon Wheeler

By Ethan Kaye

Shannon Wheeler is one of the busiest men in comics and cartooning, producing a whole slew of books this year and a regular comic strip, Too Much Coffee Man. At this year’s Eisner Awards at Comic Con International, Shannon took home an award for Best Humor for his collection of rejected New Yorker cartoons, I Thought You Would Be Funnier from Boom! Studios. Geek Girl on the Street caught up with him the day after the ceremony. Continue reading

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Obituary: Amy Winehouse pronounced dead at North London home

Troubled singer Amy Winehouse (age 27) was pronounced dead today after emergency services were called to her North London flat following a suspected drug overdose.

Winehouse’s last public performance was July 20th when she joined her goddaughter, Dionne Bromfield on stage at the Roundhouse in Camden as part of the iTunes Festival. Following this performance, she checked herself back into rehab and her management released  a statement:

“Amy Winehouse is withdrawing from all scheduled performances. Everyone involved wishes to do everything they can to help her return to her best and she will be given as long as it takes for this to happen.”

Prior to this statement, Winehouse’s most recent trip to rehab was in May 2011, upon doctors advice, in order to prepare for her tour of Europe this summer. Sadly, the Grammy Award winning songstress was not able to overcome her battle with addiction and tragically has joined “the Forever 27 Club,” a group of musicians who died at age 27, which includes Jim Morrison, Jimmi Hendrix and Janis Joplin.

From an article I wrote in 2009 about Amy Winehouse and her battle with substance abuse for BitchBuzz:

In late 2006 I was 33, jaded, working in public relations and running on an elliptical trainer watching VH1 trying to whip the stress out of my body, as I did every morning at 5 am.  In amongst the “Buttons” and “Umbrellas,” I heard something that stopped me dead in my tracks that morning: it was “You Know I’m No Good.”  Listening to the sultry, beehived, tattooed, dark and deep voiced Amy Winehouse hooked me on a pop album for the first time in at least 20 years.

Amy Winehouse was the most promising new artist in at least a decade; and, her mercurial success was also the key to her downfall.  The themes of heartbreak and unrequited love and allusions to deeply seeded fucked-up-ness in Winehouse’s music told stories that every person could empathize with.  

Of course, at this point people really had no idea how prophetic the song “Rehab” was to become.  Plagued with addiction, alleged eating disorders and mental health issues, in a few short years she has gone from the highest of highs (figuratively and quite, quite literally) to persona non gratis. As an artist, one of the worst insults that could be slung at you is to be labeled a “Winehouse.” …

Truthfully, the girl has some major, major problems. She’s a hot mess. It is incredibly sad that a 25-year-old – kid, basically – such as Winehouse is so seemingly surrounded by people who not only enable her addictions and mental health problems; but, have allowed her to be exploited by the media in such a way that it adds fuel to the already flaming disaster of her current life. I wonder, even if she really wanted to, if she could get legitimate help for her problems?

All I know is that while the majority of people are laughing or shaking their heads and fingers at Amy Winehouse, inside I’m crying for her — for her lost talent, for how sad her life ultimately has become… Amy Winehouse the person is as heart wrenching as any of her soulful songs.

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Live from SDCC: Joe Harris talks Spontaneous, Ghost Projekt and superhero villains with Ethan Kaye

By Ethan Kaye

Editor’s Note: Friday at San Diego Comic Con, Bleeding Cool reported that Joe Harris’ Ghost Projekt (Oni Press) had been optioned by the SyFy network and will be turned into a mini-series. In 2010 we chatted with Joe at C2E2, this weekend GGotS contributor caught up with Joe on the con floor in San Diego to talk about his new book Spontaneous, Ghost Projekt and superhero villains. Enjoy!

GG: So Joe, we were actually on the same plane over from New York city.

Joe: We were?

GG: You were sitting in front of me, and you moved your seat.

Joe: I did move my seat, that’s right! It was at that transfer at Denver.

GG: So Spontaneous #2, what happened with the delay? I was really excited for it.

Joe: I honestly don’t know. There was an issue at the printer, I’m not really up on exactly what happened, but it got lost in the shuffle of the July 4th holiday. It was never shipped, and it was actually prepared very early and as a result it didn’t get to shops when it was supposed to. So the retail edition of #1 and #2 are going to come out next week (July 27).

GG: Hey, as long as they’re coming out.

Joe: Exactly. Continue reading

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Live from SDCC: Ethan Kaye talks to Dark Horses’ Ethan Nicolle

By Ethan Kaye

Ethan Nicolle is one of the two minds behind the breakthrough hit comic Axe Cop, now published simultaneously from Dark Horse and online at axecop.com. The story of an aggressive police officer and his manic adventures is co-written by Ethan’s 7-year old brother Malachai. The combination of professional art and a child’s storytelling has produced a monster of a book. Geek Girl on the Street was happy to send me to interview Ethan at the Smith Micro booth at San Diego Comic Con, where Ethan was having a signing.

(Note: at the first part of this interview, Ethan was doing a sketch for a con-going girl, so her questions are included as well, but none of the discussions about the sketch he was doing) Continue reading

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Live from SDCC: Day One-point-five wrap-up – Phineas and Ferb, Doctor Who, Tr!ckster and Hall H a “ghost town?”

By Ethan Kaye

So far, the first two days of Comic Con are over, and I’ll be the first to say that I’m having a good time here. I’m not running myself ragged with parties or waiting my life away in line for panels. I’m taking it at a light run, and it’s enjoyable.

I’m going to keep it short, since I don’t have pictures, and pictures are what keep people’s interest.

  • Tr!ckster Con: happening at the same time as Comic Con, is awesome. If Comic Con is the noisy lunchroom, Tr!ckster Con, just across the street, is the big tree where all the cool seniors go to smoke and drink Mountain Dew. They were hosting drink and draws the last few days and it was the most fun I’ve had since I got here. Basically they rented out a wine bar, set up easels, distributed art supplies, and brought in a model. Then we drew for hours while a DJ spun and wine flowed. Excellent.
  • Hall H is a ghost town. Not for Twlight, of course, that had housewives and their kin lined up for days. Hall H is the aircraft hanger where they have the BIG panels and movie stuff. But there were no lines today. At all. I saw one volunteer going up to people walking past and saying, “Anyone want to go in Hall H? There’s no line.” After waiting for 2 hours last year to get into Green Lantern, I accidentally made a wrong turn today and ended up in Hall H. No line, no wait, just another panel room.
  • Doctor Who is big. Marvel and DC presence is low-key this year, which is odd since Marvel has movies coming out and DC has the big relaunch. The Marvel booth is so intimidating and stark that it’s been keeping me away, and the DC booth is always such a hive of action that I’ve been keeping my distance. But Doctor Who is huge this year. The exclusives are selling off the shelves, there are a ton of people wearing “Trust your doctor” shirts, and I’ve seen sooooo many people in costume as the various Doctors, Amy Pond, and even River Song. The Doctor is a hit.
  • Artists are getting less approachable. It’s just a minor thing I’ve noticed, but this was the first year that I’ve noticed artists deliberately pricing their sketches and commissions at very high prices. Sure, some artists always command high rates, but I’m seeing basic commissions with a base price of $700. Adam Hughes and Eric Powell aren’t even doing commissions. Of course, artists have a right to charge whatever they want, but there is a point where that small group who’d pay $700 for a sketch gets their one sketch and never needs to get one again. And then where are you?
  • Phineas and Ferb rule. And I’m mostly saying that because I just watched the whole series on Netflix. But of all the Disney properties, they take the taco. Not only are they previewing the video game, but they have an entire bus designed to look like Perry the Platypus.
  • It’s not that crowded. Yet. Both today and yesterday were surprisingly light, crowd-wise. Of course, all the exclusives are snatched up, but walking the floor isn’t so bad. Mobs of people aren’t crowded around one artist, no booth is stuffed with 700 people trying to get a T-shirt, and no one’s pushing to get to back issues. That all might change tomorrow or Saturday, but from what I saw, the idea that the con has gotten too big for San Diego feels more like a “we have too many panels for this space” rather than “we can’t cram any more people into this space” problem.
  • The people who are bitching about the convention got in free. This is across the board too. People who bought tickets are having fun. They’re buying stuff, they’re laughing and clapping at panels, they’re getting pictures with stars and dressing in costume. But everyone who got in free (press, exhibitors, guests, and “professionals”, whatever they are) has at least one negative thing to say about the con. We’re not getting enough access. The lines should be shorter. They shouldn’t be doing that panel, it’s a stupid panel that no one will go to. They had problems with my badge. And all these complainers are people who should know better. They’re in the industry (allegedly) and they got a free pass to five days of excitement. So suck it up and enjoy it.

 

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GGotS Exclusive: Sebastian Stan on playing Bucky Barnes

By Amy Ratcliffe

Sebastian Stan had no hesitation about taking the role of James Buchanan “Bucky” Barnes. Bucky is the sidekick of sorts to Steve Roger’s Captain America. He’s also his friend. Geek Girl on the Street had the opportunity to speak with Stan at a roundtable. He talks about how the role of Bucky has changed from the comic books to the movies, what it was like to work in a period movie, and what it was like on set between takes.

What was your first take when you got to know who Bucky Barnes was from the comics as opposed to the script? Because they’re a little bit different.

Sebastian Stan: I didn’t really read the comic books at first when I was still in the audition process. So I didn’t know very much honestly. I was first told about him in my meeting with the heads of Marvel. That’s when they introduced me to everything that’s been happening with the character in the last fifty years. I found it really exciting because I thought instantly, as an actor there’s just so much possibility to end up playing so many different sides to him. I thought he was really complex. And when I went back to the comic books and saw how he started as a youth, then I was maybe picking and choosing some of the things I liked [that fell] within the ballpark of where we were going to go. Continue reading

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